[Originally published: Issue #2, circa 1987]
RIGOR MORTIS demo: This is a very heavy death-metal band from NY. They sound something like across between SLAYER and METALLICA, except the vocals, which sound like, oh, I don't know, could it be... SATAN? Anyway, RIGOR MORTIS shows a lot of potential. I can't wait to hear their upcoming demo, "Decomposed".
[Originally published: Issue #2, circa 1987]
MASS CORRUPTION was formed in late September, 1986. After a few months, we changed drummers. Our line-up now consists of Rick (17) on vocals, Deli (17) on bass, Crash (26) on drums, and Ed (19) on guitar. We have played quite a few bars with local bands. We have not get to open for any out-of-town bands yet, because the only club that bills out-of-town bands thinks we are NAzis. We are NOT Nazis. We are not a peace band. We are not a political band. We are simply a mean, aggressive band that likes to have a good time tearing it up live. Our future plans are to record a demo very soon and try to get a record deal. We also would like to tour the US this summer or the summer afterwards.
MASS CORRUPTION '86 demo: This is a ten track tape of good crossover (burning speed with sick mosh parts), but with a very heavy sound. Some of the tracks remind me of AGNOSTIC FRONT (especially old AF), which made me like them even more. The songs are played tightly, with plenty of good riffing. After a few listens, you'll really get into it. This should appeal to both metal and 'core kids alike. Give MASS CORRUPTION a listen -- you won't be disappointed (unless you're a total waste).
[Originally published: Issue #2, circa 1987]
HATRED "No Control": This is probably one of the best demos I've ever heard. Combining the best aspects of thrash in the vein and METALLICA with a very slight touch of hardcore, HATRED really delivers the goods on this 4 song deal. Don't get me wrong -- they aren't one of those generic crossover bands that try to cash in by kissing up to metallers and punkx at the same time. Though all the tracks are decent, the best is definitely "Dig Your Own Grave", a classic tune in the style of "Fade to Black". Get this NOW!
[Originally published: Issue #2, circa 1987]
PEDIFILE is a five piece thrash metal band from Mesa, Arizona. They formed in May '86 and started off doing SLAYER and EXODUS covers, while opening for bands like ZNOWHITE and DARK ANGEL. But now, PEDIFILE is headed in an all original direction and hope to get signed soon with this demo. PEDIFILE is into heavy, technical music with heavy vocals and ear-piercing screams. All of this is displayed on the demo.
PEDIFILE "Die a Violent Death": This ain't easy, but here goes. The music on this four song tape is played really well -- good, tight, technical thrash. And most of the KREATOR-type vocals are pretty cool. But there are some extremely high shrieks that just sound out of place. Plus, I really can't get into their lyrics. It should be noted that the song "Pediophiliac" delivers an anti-child molestation message. So do their t-shirts, which depict a child molester being beat up by a bunch of thrashers. Overall, this demo is slightly above average. Interesting. The tape costs $4, lyrics included. For $6 you get the tape and a PEDIFILE t-shirt, which Chris informed me LARS ULRICH of METALLICA wore on MTV and claimed to be his favorite.
[Originally published: Issue #2, circa 1987]
PRONG is a new band out of NY. They are a hardcore, metal influenced band with a slight trace of an industrial sound. They are a 3 piece outfit featuring ex-DAMAGE Mike Kirkland on bass and vocals, Tommy Victor on guitar and vocals, and Ted Parsons from the SWANS on drums. PRONG will be releasing an album entitled "Primative Origins" on Mr. Bear Records soon. It will include remixes from their first demo plus some previously unreleased material. The LP will be distributed by Important and Dutch East. They've only played a few gigs, but the plan to tour following the release of their debut.
PRONG 4-song demo '87: What can I say? This demo really impressed me. Not only is the music played well, but it is different from the standard thrashcore -- sorta like a breath of fresh air in a sewer. All 4 tracks, "Freezer Burn", "Primative Origins", "Aggrevated Condition", and "Forgery" are good and offer something new. Check out this high quality demo, and pick up their album when it comes out.
[Originally published: Issue #2, circa 1987]
MACHINE DOG was formed in March of 1985 when Scott D'Antonio (drums) got together with John Plummer (vocals and lead guitar) and John Tokarski (bass). They are influenced by such bands as METALLICA, MOTORHEAD, AC/DC, THE RODS, HOLOCAUST, and VARDIS. They will soon be releasing another demo.
MACHINE DOG "Sic 'Em": This New Jersey power metal band delivers catchy riffs on this 3 song effort. They sound like a cross between AC/DC and early RAVEN. Kinda enjoyable. The riffs stick in your head for a while. Available for $3.
[Originally published: Issue #5, circa 1988]
M.I.S., from Longview, Washington, formed in the summer of '86 and are Chris (20) on vocals, Tim (16) on drums, Jason (17) on bass, and Eric (15) on guitar. They don't like labels, show-offs, wanna-bes, backstabbers and liars. They like to laugh, play shows, and receive mail, so if you want to rap, drop 'em a line.
Loud and angry hardcore thrash with enough electricity to light all the houses on the block. The ultra-fast parts get a little sloppy, but the slower stuff is powerful, as the songs "Anti-Reagan" and "War No More" amply prove. This demo is an exercise in cut-throat HC - it's really worth your while. 10 tracks, with lyrics.
[Originally published: Issue #5, circa 1988]
GENERAL CONCERN is a positive, semi-straight hardcore band from way over in Longview, Washington. The line-up is as follows: Jay (18) on vocals, Paul (18) on guitar, Rick (16) on bass, and Keith (17) on drums. They will soon be going into a studio to record a demo.
This is some raw, pounding HC that, thankfully, is not short on mlody. G.C. packs a powerful punch - actually, crunch is a better word. Heavy, grinding fast parts and really great mid-teapo stuff, plus good lyrics (mainly positive, some political). The only problem is that the sound quality, as on all rehersals, takes away from what is otherwise a fantastic tape. This band has great potential - I can't wait to hear the demo! In the meantime, you should really check out this rehersal.
[Originally published: Issue #5, circa 1988]
VAN GOGH'S EAR is a Philly band that has been playing out live for about a year and a half. They are self-produced and managed and are about to go into the studio to make a better quality tape of another album's worth of material. Of course, they want to release an album, but they don't have the funds - isn't that everyone's problem these days? They are considered a great band to see live due to Aruna's {vocals) energy and inability to stand still.
"Pop with an edge" is the way my roommate described these guys. And that's the best way their sound can be described. This tape of incredibly high quality shows us a band with enomous talent and promise. Their mainstream melodious sound should appeal to many - but they're defirately not hardcore and they're far from punk, too. They're ... well, pop with an edge. And they've put out the best demo that I (Mickey) have heard yet!
[Originally published: Issue #5, circa 1988]
REASON T0 BELIEVE is: Jon B. on vocals, Chris E. on guitar, Raidy K. on bass, and Rodney on drums. They have "action-wear" t-shirts for $7.
REASON TO BELIEVE, from sunny California, is a young band with a great sound. They reaind me of early 7 SECONDS with their sing-along lyrics and early DC bands with their pure, raw energy, which must translate into a good show live. Seven songs are on this tape, all of which seem to rock hard! Their message is one to be admireds -- they seem to be a very dedicated bunch.
[Originally published: Issue #5, circa 1988]
TOKEN ENTRY is a fantastic young band from New York who have recently released an incredible debut LP, "From Beneath The Streets” (Positive Force). Luckily, they did a show in Philly a while back and I got the chance to talk to the bassist, John, who is one hell of a guy.
THREATENING SOCIETY: What is the current line-up?
JOHN: Timmy is on vocals, Arthur and Mickey on guitar, Ernie is on drums, and I'm the bass player, Johnny.
TS: What are your ages?
JJ: We're all 19 to 21 years old.
TS: How did TOKEN ENTRY form? Were any of you in other bands?
JJ: Yeah, me and Ernie had a band called GILLIGANS REVENGE. And with the downfall of that band, Mickey came along and we started TOKEN ENTRY.
[Originally published: Issue #5, circa 1988]
INITIAL REACTION is a three man, one woman HC band from Chicago's western suburbs. They started as a garage band in Jan., 1986 and have done a number of shows in the Chicagoland area. l.R. is: Mandy Clarke - vocals, Doug Roscoe - bass, Hessel - guitar, and Matt Olsen - drums.
There seems to be a disturbing trend in the scene: people disliking fast HC thrash bands because some claim it is immature. Well, just when you thought you had grown up, this Chicago quartet kicks you in the teeth. This band plays ferocious, abrasive hardcore (of the thrash variety) with a rough edge. If you think fast and heavy music is for kids, take a listen to this hot, energy-packed tape. The music is tight and raw, yet distinctly melodic at tines, and the vocals are very enjoyable and original, in that I have never heard a female HC vocalist of this ability. The ideas seem to be OK, even though I've only seen the words to a few songs and I don't want to generalize. All together, this is a very good tape (of decent sound-quality) consisting of 20 songs. INITIAL REACTION plays HC the way we like it -powerful and energetic without being noisy or sloppy. Don't miss this one.
[Originally published: Issue #5, circa 1988]
MASS CORRUPTION is a skinhead band from Minnesota. Their line-up is Rick Bassat on vocals, Ed Wolbank on guitar, Dan Higgins on drums, and Sean Mason on bass.
Skinhead thrash with throaty vocals and AGNOSTIC FRONT-type music. Nine tracks with some pretty heavy guitar work and good production. Highly recommended if you're into being a skin, and worth a try even if you have hair. Seriously, give it a listen.
[Originally published: Issue #5, circa 1988]
NEGATIVE YOUTH is an anti-straight-edge band (in a humorous way) from New Jersey. The line-up features Richie Intoxication on vocals, Eric Delusion on bass, Tom Herb on guitar, and Troy Err Herr on drums.
The music on this tape is good, but it's tough to look past the "negative" lyrics. The songs deal with beer and sex and sex and beer and beer and sex (did I mention the beer?). I guess the lyrics are kind of orginal, after all, how many bands have a song called "Anti-Straight-Edge and Proud"? I think you can enjoy this tape if you don't take your music (or life) too seriously. Hey, somebody send a copy to Ian, Kevin, and Gloria Steinem.
[Originally published: Issue #5, circa 1988]
DIRGE is from the central shore area of New Jersey. Their current line-up is: Jim on bass, Jacko (ex-FATAL RAGE) on vocals, Eric (ex-F.C.C.) on guitar, and Dan (ex-F.C.C.) on drums. Contradictory to the name, most of DIRGE's music can be classified as thrash, though they prefer not to label themselves. Their lyrics range from religous and political hypocracy, greed and power, to the struggle against conformity, social order, and
narrowmindedness within the realms of society and the scene.
'86 demo: Some cool raging thrash with lyrics lamenting the probleas in the world. The vocals are shouted and a bit rough in some places, but still good and original. Thirteen songs total - 8 from the studio and 5 good-quality live songs. This isn't crossover, but it should be liked by both audiences. This 20 minute tape is available for $3.
"Life Force" demo: The second demo from the Jersey thrashers is a bit more polished. They change slightly - a little more riffing and guitar work, and the vocals blend in better with the music. This sounds good, even though it's lost some of its hardcore influence - except in the lyrics, where the same high level of awareness and intelligence is maintained. As of now, this tape is only availble to 'zines and labels, but you can write for more details.
[Originally published: Issue #5, circa 1988]
BLOOD LAKE is a hardcore band from Vista, California and features Randy on vocals, Dave on bass, Pete on guitar, and Simon on druas.
This band kicks serious butt! 13 great tunes that bridge the gap between '87 hardcore and early punk. Even though they don't include lyrics, there are some good ideas (I think) behind soae songs like "There's A Draft" and "Fight To Survive". I think this tape will appeal to anyone who's ever been into hardcore. Oh yeah, Mickey claims that they sound like the DEAD KENNEDYS around the time of "ln God We Trust Inc."
VISUAL DIFFERENCE is a positive hardcore band from Arizona, with Steve Toledo on vocals, Dave Payne on guitar, Eric Oxbolow on bass, and Steve Baily on druas.
Man, there must be some decent shows happening in Arizona, what with bands like LAST OPTION, DESECRATION, and now, VISUAL DIFFERENCE. I really liked this tape, and that's not just because I'm a big fan of positive mosh-type stuff, but because this band is really tight and powerful, and have a good attitude, as reflected in their lyrics. 12 songs, lyrics included. By the way, they're not straight-edge, just positive.
[Originally published: Issue #5, circa 1988]
PSYCHIC VIOLENTS is a five-piece band from Florida with Sam on guitar, Jorge on bass, Bill on drums, and Charles on vocals.
This tape was truly a pleasant surprise. Each song I has a different sound to it. Some thrashy, some melodic, some psychedelic, and some mixing all of these elements. The lyrics are cool too - most are personal, while others address topics such as racism ("Mayberry") and animal cruelty ("Animal Aushcwitz"). This band is very innovative - for instance, in "Embrace", instead of the usual transition from thrash to slow-mosh parts, they go from fast and heavy to slow and more mellow. All in all, 28 songs (including a few instrumentals that can only be clasified as country- psyche) in 60 minutes. Comes with lyrics and a mini-comic book. Great sound quality on most of the tracks. This tape is a must.
[Originally published: Issue #5, circa 1988]
Even though this is an independent tape, I chose not to put it in with the demos because of its high production quality and packaging. This Chicago based band (Eric Seiller on guitar, Dave Fuller on bass, Tom Brandner on guitar, Skip McGullam on vocals, and Jeff McGullam on drums) plays EXODUS-like thrash with hints of slower, power metal. Nothing of lyrical value - same old gore and death nonsense (horror lyrics CAN be done well, just ask the SERIAL KILLERS). But the music is played quite well. If you're into thrash metal, this is for you. 8 songs (35 minutes) with lyrics.
[Originally published: Issue #5, circa 1988]
This Venice, Cal. band has been around for a while, but this is only their first LP. Ten selections of powerful hardcore with a strong metal influence. Each song has alot of music, but its not wasted on endless guitar solos, but on some cool riffing, sometimes reminiscent of early METALLICA. The vocals are cool - kind of like Mike Muir of SUICIDAL TENDENCIES who, by the way, is the executive producer of this Suicidal/Caroline Records release. The lyrics are mostly personal (lyric sheet is enclosed, thank God!). I'll admit that the first time I gave this a spin, I wasn't too crazy about it. But by the second and third time, I really started to dig it. (Suicidal/Caroline)
[Originally published: Issue #5, circa 1988]
Exotic "punk and roll" from this Texas band. Gruff vocals from a singer who I read really is Iranian. All 4 tracks are interesting, and some of them really rock. A very good EP - hopefully their new full length album will be just as good - we'll see. (Boner Records)
[Originally published: Issue #5, circa 1988]
7 SECONDS really disappoints me here with their five tracks. Only one is good ("Compro"), while the others are either a second-rate LP outake, a half-hearted live song, or in the case of "Dance of Innocence", a boring practice session. WHITE FLAG is OK, with some good live tracks and a great cover of Dr. Seuss' Grinch theme song. A.O.D. rules (so what else is new?) with their four tracks, and F shows us a band that should be more popular than they are. Their 4 tunes really shine, and come close to blowing WHITE FLAG and 7 SECONDS right off the other side of the disc. All in all, a disappointing release, which should have been 1,000 times better, considering the bands on it.
[Originally published: Issue #5, circa 1988]
Buy it. It's great. Three tunes that kick butt. Period. (Sammich Records)
[Originally published: Issue #5, circa 1988]
JUSTICE LEAGUE, one of my favorite bands, kicks out another 12" (their second). A little old-HUSKER DUish sounding now, they are getting much more powerful and mature in their sound. They're very nice guys, who really know how to rock hard. A great band who should now finally gain the recognition which they've earned. But guys, you are walking the HUSKER DU thin line. Don't whimp out, OK? (Positive Force)
[Originally published: Issue #5, circa 1988]
WHITE FLAG'S first LP on Positive Force is definitely their best release to date. Great new track (especially "Suicide King") are there, along with re-recorded older tunes ("Instant Breakfast" and "Face Down" for example). This band has always been very good, and deserves a greater audience. Hopefully, they will get it with this LP. (Positive Force)
[Originally published: Issue #5, circa 1988]
EMBRACE was one of the greatest bands to have come out of DC (along with MINOR THREAT and DAG NASTY) in my opinion. This is another Dischord posthumous release showing how amazing this band really was. The music isn't typical DC-sounding. EMBRACE consisted of incredibly talented musicians who made their slower, very melodious sound more powerful than a dual-guitar crossover band. This is seen on its fourteen excellent tracks, the best of which are "Do Not Consider Yourself Free" and "1 Wish 1". EMBRACE has a sound that doesn't seem to take any influences from other bands - they developed a very unique sound. The lyrics are great, too, perfectly done by Ian MacKaye; his singing/yelling voice has found a place where it fits perfectly. Good messages are there, too, in tunes like "Said Gun Said Knife" and "Money." EMBRACE is one of my favorite bands ever. If you have any concept of taste, you'll like this LP. Get it and see. (Dischord)
[Originally published: Issue #5, circa 1988]
Yet another Dischord LP released after the band has broken up. In this case, it’s BEEFEATER who really shows off their great sound. It's almost an all-star album, with cameos from artists connected with Dischord or Washington D.C. But they help only a little to make BEEFEATER'S final album a screaming success. Their funky, jazzy hardcore sound with drowning, off-sounding choruses is unmistakingly BEEFEATER – very adventurous (weird?) and off-beat (bizarre?). The lyrics are very vague, but somehow almost inspiring once you find out what they mean to you. Another thing I like is that each meaber gets his own tracks where he can show off his solo stuff. (Each is very bizarre, as you could probably guess, but very interesting.) I can't say I'd reccommend it to everyone, as it is off-beat (but not alien - the hardcore hard-edge is still there), but it is still very good to me. (Dischord)
[The Lost Issue (unpublished), early 1990s]
Winnie the Pooh and Christopher Robin grace the cover of this endeavor, and it gets better from there. These East Baysters, who did three or four other records before this, kick out delightfully tuneful hardcore which makes me smile with each listen. Great production. Great lyrics. Great music. Great! Their best release yet! ('Though their all-time greatest song is still the cover of Pooh's "Cottleston Pie"!) (Vinyl Communications)
[The Lost Issue (unpublished), early 1990s]
JAWBOX is a new band whose overnight popularity made me wonder are they really that good, or did having Jay Robbins, of the now-defunct GOVERNMENT ISSUE, front the band and being connected to Dischord throw them into the limelight? When I heard this EP, it became apparent that it was a little of both. Jawbox has a melodic sound with a strong post-punk feel. Kim Colleta provides a nice bass sound (it's great to see woman play important roles in the male-dominated scene!) and Jay has made a successful switch from bass to guitar, but his vocals are rather emotionless. A good effort overall, but not earthshaking. (DeSoto Records)
[The Lost Issue (unpublished), early 1990s]
Pop-punk is the bill of fare, and it's no wonder, considering this band in¬cludes Dave Smalley (ex-ALL) and Ed Urlick and Dave Naz (both from CHEMICAL PEOPLE). Years back, when bands like the aforementioned, BIG DRILL CAR and the DOUGHBOYS, hit the scene, the sound was fresh, original and exciting. Now that the sound been done so much, DOWN BY LAW offers nothing new. But their sound is really pretty nice. There's a strong CHEMICAL PEOPLE sound, but I like this more, as Smalley (in prime form) provides an excellent vocal dimension which CHEMICAL PEOPLE is sorely missing. It's not the greatest band in which the musicians have been involved in, and maybe their next release will be better. But the talent's there, and this record will grow on you. (Epitaph Records)
[The Lost Issue (unpublished), early 1990s]
Chris has been a mainstay of the D.C. punk community since the early 1980s, playing in such fabulous bands as FAITH, EMBRACE and IGNITION. I definitely expected a lot from this EP, and was unfortunately disappointed. It is mainly mid-tempo emocore, lacking any real cohesiveness. It flounders. I had the same complaints about IGNITION's first EP, and they eventually progressed to become one of my favorite bands. Perhaps CHRIS BALD 96 will do the same.
[The Lost Issue (unpublished), early 1990s]
I saw an ad for this record in Maximum Rock 'N Roll, where the band's sound was described as melodious hardcore. With my tastes further moving away from thrash/dirge/blender shit, I decided to send away for it. I admit that I had preconceptions of hearing something like the DESCENDENTS or BAD RELIGION, but I ended up getting forgettable, slower three to four chord hardcore. Listening to this band, out of the D.C. area, was an ordeal. (Sunspot Records)
[The Lost Issue (unpublished), early 1990s]
Many of you may remember SCRAM, a hardcore/reggae trio which tore up the Philadelphia underground music scene in the mid-1980s (BYO Records released their "Stand Up" LP back then). They've since acquired a percussionist, two seasoned jazz horn players and a whole new sound. SCRAM has thrown the sounds of punk, reggae, salsa, calypso, jazz, Motown and big-band swing into a blender and have ended up with an amazing mix - highly danceable and lots of fun. Though staying true to their punk days by speaking out on social and global matters, SCRAM could be considered "commercialized." Whatever. But all I can say is that this release will be blasted out of my car speakers for some time to come. (self-released)
[The Lost Issue (unpublished), early 1990s]
SHUDDER TO THINK won me over when I first heard their debut EP, "It Was Arson." Since then, they have progressed admirably, both musically and lyrically. The poetic lyrics are sung in the band's trademark floating, ethereal manner, with falsettos and bizarre notes being hit throughout the album, and I actually felt the complex, layered guitar in my stomach. Powerful and thoughtful, some songs on this release are actually beautiful. This record sounds especially pleasant on CD, where Dischord packages it to include "Ten Spot," one of last year's best releases. (Dischord Records)
[The Lost Issue (unpublished), early 1990s]
Fuel had caused quite a stir on the West coast, and it's easy to hear why. Few artists in the underground scene display as much sincerity and integrity as Fuel seems to in their lyrics. Fuel plants the seed of thought in their audience by delving into such topics such as religion, apathy and personal pacification in an eloquent, thought-out manner. Over a backdrop of melodious hardcore, the diversity, complexity and enjoyment is endless. I hope others follow their example of dedication and conviction. (Rough Trade)
[Originally published: Issue #1, circa 1987]
By Tony
Why do so many people have this fear or nate of metal? I like a lot of hardcore, but I also love the metallic sounds of WHIPLASH, SLAYER, ANTHRAX, and even IRON MAIDEN. A lot of my hardcore buddies rag on metal. They call the lyrics 'stupid". Some idiots even think that every metal band sacrifices a goat at each show, Now, despite the current crossover of the two musics, the lyrics are generally different. Hardcore tends to focus on topics that they deem socially relevant, while metal lyrics are less "important". Is it because metallers don't care? Is it because they are too doped out to know what's going on? Or does their long hair affect their brain? NO!!!!!!!!!!!! The answer is that most metal bands view music as a form of entertainment. Don't get me wrong, there's nothing wrong with conveying a message, but there's also nothing wrong with listening to a song just for FUN.
[Originally published: Issue #1, circa 1987]
What's this? A DK album that I like? Impossible, and yet it happened. Yes, that's right, "'Bedtime for Democracy" is a GREAT album. Mickey used to give me tapes of their old stuff and I never could get into it, but now they are slightly "thrashier" and this album rips! "One Way Ticket to Pluto", "Cesspools in Eden" and "Chickenshit Conformist" are among the better tracks (of a whopping 21)! Being basically a metal-monger, it takes a good hardcore band to tickle my fancy (among other things) and the DKs have hit it with their new album.
[Originally published: Issue #1, circa 1987]
Good thrash from this West German outfit (formerly SAMHAIN). Nine good tracks with frenzied solo-ing and above average vocals. A bit too cliche in some places but overall, a good album. Combat Noise has another winner.
[Originally published: Issue #1, circa 1987]
Straight-edge thrash? Whatever it is, it's great! 16 incredible tracks played with ferocious intensity. "Grey world", "Johnny", "Warfear" and the title track are among the best songs (although every song on this LP is good). Since this album, I heard that the band has separated, and some members have formed CONDEMNED ATTITUDE while the others continue A.A. with a slightly different lineup.
[Originally published: Issue #1, circa 1987]
The lords of black metal are back with a vicous speed metal attack. "Angel of Death", "Raining Blood", and 6 other tracks rip through your brain. Pick up this album and thrash, thrash, thrash!
[Originally published: Issue #1, circa 1987]
What an album!!! A must buy for thrashers and 'core fans alike. Buy it now (if you're that hermit in Guam who doesn't have a copy yet.)
[Originally published: Issue #1, circa 1987]
This LP is great! Scott "NOT" Ian and the gang have done it again. It's much heavier than "Spreading the Disease" but it keeps their melodic sound. "I Am the Law", "Imitation of Life", and the title track are among the best cuts. Buy this one or be "Caught In A Mosh"!
[Originally published: Issue #1, circa 1987]
Everybody is wondering "Did they go metal?" Well, there are only I2 songs (instead of the usual 20+) and must of them run around the three minute mark (not since "Argument Then War"). But their sound really hasn't changed that much. They still crank it up pretty fast, just now there is more music to each song. "Decisions" and "Five Year Plan" are by far the best tracks. A good album though not as good as the classic 'Dealing With It". D.R.I won't lose much of its followig IF their old fans aren't put off by the "metal" packaging.
[Originally published: Issue #1, circa 1987]
The long awaited follow-up to their highly successful debut album shows us a very polished band. The first track, "Suicidal Maniac' is a fast burner (the best song on the album) with vocalist Mike Muir often sounding like a refined Roger miret of AGNOSTIC FRONT. The title track is a pseudo-rap that seems to be trying to start a fad. Aside froa 'War Inside My Head" and "Cyco" the rest of the tracks sound like new wave tunes with a slightly heavy edge and Mike trying to do his best Ray Davies imitation. All in all, this album isn't that bad - just don't expect the same "cycos" from the classic first LP.
[Originally published: Issue #1, circa 1986]
This is the much-awaited DOGGY ROCK, with ex-D.S. members Brad and Lou, teamed up with ex-DESCENDENT Doug Carrion and ex-MINOR THREAT guitarist Brian Baker. With such a strong lineup, I expected much more. But it’s a rap record. That’s not so bad in itself, but it’s the fact that such talented musicians shouldn’t be wasting their time on such trendy stuff. Thank God, Brian Baker quit and went back to DAG NASTY, where he can show his true abilities. Now the question remains: Will the rest of these truly talented dudes leave too, and use their talents? (NATIONAL TRUST RECORDS)
[Originally published: Issue #1, circa 1987]
Two older songs, “War for Peace” and “The Struggle Within” are chopped up and irritatingly remixed. The second side is b.s. dance music. What a shame – these guys have put out some decent stuff, and it’s all come down to this.
[Originally published: Issue #1, circa 1987]
These guys haven’t been playing long, but the Philly scene has taken a quick liking to them. It’s easy to see why. They have a sound like the old 7 SECONDS (before “New Wind”), but they are more varied, in that they delve into reggae and more melodious sounds. Not very well-produced, but for a first try, it sounds very good. Powerful, with catchy tunes and powerful lyrics.
[Originally published: Issue #1, circa 1987]
OK, I know. This album is sort of old, but I never got a chance to hear what the big deal was. Now I can, and I am quite impressed. They are very talented and this is easily seen on this release. The music is very good – both diversified and complicated (both of which I feel signify a talented band). A matured UNITY. But the lyrics are what impress me the most. U.C. isn’t the typical straight-edge band. They aren’t spiteful, and give support to those pressured, and justify their attitudes very eloquently. They also have some songs that could definitely be considered poetry – very beautiful. Get this LP! (WISHINGWELL RECORD)
[Originally published: Issue #1, circa 1987]
When the original DOGGY STYLE broke up and Brad X and Lou Gaez left to form DOGGY ROCK, they re-formed with an added guitarist and a new drummer and singer. And with this change, they’ve improved dramatically. After taking a close look at their first album, which I enjoyed very much, it seemed very limited and restricted, both musically and lyrically. Just melodious thrash. But on “Doggy Style II”, they seem to ignore their whole past, and appear with a new style. They are much more mature, and it shows. They delve into slower, more melodic, but still powerful music. Each tune is very original, different from the next, which makes it an album which one is not easily bored with. I admire their willingness to be adventurous and not stick to the same limiting three chords. 18 long tracks too. What a bargain! (FLIPSIDE RECORDS)
[Originally published: Issue #1, circa 1987]
YOUTH OF TODAY’s EP “Can’t Close My Eyes” (Positive Force Records) was a very strong release – every track was great musically, and the vocals were top-notch. It seemed that a comparable follow-up would be unlikely, but they managed to match their effort on the EP, and for the most part, surpass it. YOUTH OF TODAY has the heavy, thick New York hardcore sound (dual guitars, strong bass), but unlike bands like AGNOSTIC FRONT and the CRUMBSUCKERS, the heavy metal tinge is missing, but not missed. They have a sound all their own, which is difficult to describe or cocmpare. The energy that they emit live transfers well in the studio, as seen on such great tracks as “Make a Change”, “Stabbed in the Back”, and “Positive Outlook”, but each track is strong both musically and lyrically. The lyrics, dealing with personal topics, come across incredibly well, what with the fantastic job done by Ray of Today, who may be the best hardcore singer I have heard yet. Beautiful packaging, excellent production, and a fine performance throughout make “Break Down the Walls” the best release so far in 1987. (WISHINGWELL RECORDS)
[Originally published: Issue #1, circa 1987]
A 2-song studio effort by Ian MacKaye and fellow MINOR THREAT Jeff Nelson. This one-shot deal shows that power doesn’t always come from raging guitars, pounding drums, and screaming voices. Good, inspired lyrics and fine music (with Ian on guitar and bass – not since the TEEN IDLES days?) fit hand-in-hand to place this well-produced 7” high on my list. Too bad we probably won’t hear anything else from EGGHUNT. Ian told me that his desire to play music still runs strong, and his new band is taking form, and hopefully by this summer, we’ll hear from them. (DISCHORD RECORDS)
[Originally published: Issue #1, circa 1987]
OK, so this album’s a little old, but I cannot stress show good it is. Whatever ignorant jerks announce, all-knowingly, “hardcore has not talent” should be forced to listen to this band. With ex-MINOR THREAT Brian Baker and DAG NASTY being a DC band, I expected a lot, and received it. And much more. Very diversified, hard-hitting music, which great, depressing personal lyrics which, unfortunately, I can relate to all too easily. Ten great tracks come together to make “Can I Say” a must for any hardcore fan. A visually beautiful album also. (DISCHORD RECORDS)
[Originally published: Issue #4, circa 1987]
A pretty cool LP from this Seattle outfit. Of the 21 "tracks", about 15 of them are actual songs and the rest are very short selections of a cheering crowd and other stuff (when put all together, it pleasantly reminds one of a Monty Python record). These songs, as the ones on the "Kill Lou Guzzo" EP, all draw on various musical influences to make this album diverse and kind of interesting. Even though their EP is funnier, this LP is OK. I would've liked to see all five tracks from the EP redone here, but only a speedier version of "Grandma, I’m a Drug Fiend" is present. Hope to hear more from this band in the future. (Subcore)
[Originally published: Issue #4, circa 1987]
Great hardcore from New York that is rather original in a way that it's very different from standard NYHC and it also more-or-less avoids the cliche straight-edge sound and lyrics. This band really rocks. I won't go on and on about it - just hear for yourself and you'll know what I mean. (Positive Force)
MDL was formed on June 5, 1985, in Ellensburg, Washington - a small redneck/college town in the middle of the state. A scene in Ellensburg is basically unheard of due to many factors - including the remoteness of the area and tne conservatism of its citizens. Altnougn lately, bands have begun to pop up and snows occur every couple of months. The band was originally called THE DEAD LENINZ, and the line-up is Baf Lenin on vocals, Blare Lenin on guitar, Biff Lenin on bass and Bash Lenin on drums. MDL released their first demo, "Mother Rose's Basement” on their own label, Lenin Comps.
MDL "In the Midst of Delusions”: This is some really cool stuff - I guess you would call it "garage punk*" if you were into labels. This banc reminds me of the early DEAD KENNEDYS, while also sounding like the old DEAD MILKMEN, yet not quite as nerdy. Cool rhythms by good musicians and a good vocalist singing (is that a new word?) both serious and humorous topics. 16 songs on a digitally mastered tape which lasts 30 minutes and lyrics are included. Incredible! Also write for info on the first MDL demo and other Lenin Comps tapes.
[Originally published: Issue #4, circa 1987]
This EP was released a while before this band put out that great LP, “Break Down the Walls''. This 7 track 7" shows the band a bit rawer, yet still as powerful. Besides the decent musicianship and vocal prowess of Ray of Today, all of these songs are great (especially "Expectations” and "Youth Crew"). The only problem (a tiny one) that I could see are the cliche straight-edge lyrics which are easily overlooked. This EP is simply one of the best I ever heard. (Positive Force)
PEDIFILE is a death metal band from Arizona. They will be appearing on an upcoming Death Records comp.
PEDIFILE "Round 2”: This band's first demo hinted at a good future in this genre and this second demo should send them well off into that direction. SLAYER-inspired death metal with ambiguous lyrics and titles ("Fallacious Vindication”). Many 'zines (including TS) have slagged PEDIFILE off 'cause of the high pitched screams on the first demo. Well, they are totally non-existent on "Round 2". Now, even though I didn't like those screams (though I realize the training it takes), I think it's a real shame when any band changes their sound because of "peer pressure.” If you're heavily into death-metal, check this one out. It costs $4, but you can get the demo and a PEDIFILE t-shirt (which Lars Ulrich from METALLlCA has seen sporting) for $8.
If you saw a copy of Threatening Society #3, you've seen the interview with GUNSLINGERS, and you know that they are a hot new hand from Fullerton, California. They are currently on tour with Flipside Record's D0GGY STYLE. If you didn't see number three, the above is true, and get that issue!
GUNSLINGERS '87 demo: Yes, GUNSLINGERS is a Southern Cal. band, but without that typical, almost cliched sound. It's not your three-chord repetitive punk music. A lot of thought and practice (and talent!) must nave gone into the writing and execution of these eight songs - which I can only compare to a combination of DAG NASTY and "New Wind" 7 SECONDS, with the raw tinge of ‘77 punk. The guitar and vocals are the definite stars of this band - both overshadow the rhythm section (which is very good, also). It leaves the melodious tunes in your head for a long time after the tape player's off. The lyrics (sung beautifully) deal with very personal topics. They're written well, and mercifully, they're not pretentious. An all-together fantastic job. Please, someone sign these guys!
[Originally published: Issue #4, circa 1987]
Very good Italian hardcore that's a little reminiscent of RAW POWER, maybe even faster and sore powerful. Five good songs - four in Italian and one in English (all lyrics included). The non-English songs may sound a bit strange the first tine you listen to them, but you will quickly become used to it and see that this band rips.
EPILEPTIC ALBINO BULLFROGS is a hardcore band from Philly. Their line-up consists of Steve Spagnuola on vocals, Scott Helig on drums, Bob Belcher on guitar, and Rob Lipschutz on bass. They've been getting a lot of exposure by playing local shows, and appearing in some zines (including TS #1).
EAB demo '87?: This is the long-awaited demo from this up and rising local band. I've watched this band grow and progress musicaily, and this eleven tracks affair offers a good, fairly tight harcdore sound with some decent lyrics. The first song, “Death Mobiles" (about poorly-built cars), may deceive you because of its "metal” sound. But E.A.B. are not metal, even though their music has a distinct heavy edge. Anyway, "Criminal at Large", "Sinful Past", and "Keep The Scene" are among the best songs here. At only $2 in the U.S. and $3 elsewhere, this tape is a real bargain.
NUCLEAR DEATH is a death-thrash band from Arizona, with Lori (20) on vocals and bass, Phil (20) on guitar, and Joel (19) on drums. They have released a previous demo and have been covered in such illustrious mags as "Metal Forces" and "Total Thrash".
NUCLEAR DEATH "Welcome to the Kings of the Morbid" demo: Having heard a lot of good things about this band, I was quite anxious to hear this demo. Unfortunately, it did not reach my expectations (but who cares?). Anyway, this is very, VERY fast thrash with surprising female vocals - surprising because they sound just like a guy. I think NUCLEAR DEATH would be a good band if they slowed down a bit. Another thing that didn't tickle my fancy was the horror lyrics. NOW, as a connoisseur of fine death metal, I can tolerate most gore lyrics. But these lyrics are not only unsavory, but they are also ludicrous bordering on the sublime (specifically "Necrobestiality")! I can't strongly recommend this demo, but you might want to check it out because a lot of folks I know dig this and it just may not be my cup of tea. This four track tape with lyric sheet (unfortunately) costs $4 in the U.S. and $5 elsewhere.
[Originally published: Issue #4, circa 1987]
MULTIPLE STAB WOUNDS is a thrash band from Connecticut consisting of Totie Herman on vocals, Jeff Fahy on lead and rhythm guitars, Brian Duca on drums and Ian Miller on lead and rhythm bass. They've been around for a little over a year, and are trying to convince the world that anarchy is the only way for rational beings to live. The bassist, Ian, would also like to dissuade people from hurting themselves with chemicals.
MULTIPLE STAB WOUNDS "What's All This Then?" demo: Excellent thrash music which is burdened by mindlessly violent lyrics, especially in "Slam To Kill.” However, Ian has informed me that the new-sound is much better, in that the music is more "shredding” and the message is much more positive. The music is already very tight and technical (especially displayed in the MAIDEN-like “Call To Arms”, which is not indicative of their regular sound) and I think the addition of better lyrics which are wore reflective of their personal beliefs should make MSW an all-around good band. This five track tape costs $3 in the US, and $5 elsewhere.
[Originally published: Issue #4, circa 1987]
A SUBTLE PLAGUE was formed in 1984 in the Hudson Valley area of New York, where four of its five members were attending Bard College. They gigged mainly in the Hudson Valley, opening up often for a Poughkeepsie band called AGITPOP. In 1985, the band took a hiatus while its singer studied in England. They re-formed in January, 1986, recording a tape and opening up for FIREHOSE and SONIC YOUTH at Bard and for THE FEELIES at Vassar College. A.S.P., now situated in Philadelphia, has once again taken a hiatus, as two members deal with immigration and say goodbye to relatives (one is from West Germany, the other from West Africa). They will continue in September, playing as often as possible.
A SUBTLE PLAGUE '86 demo: A.S.P. is a band that has a sound all their own, far from punk or hardcore, But in no way, judging by the four songs on this demo, mainstream. It has a definite BUTTHOLE SURFERS/FLlPPER feel, in that A.S.P. is very experimental, with excellent use of a saxophone and various percussion devices. But make no mistake - these five are true musicians, with sounds ranging from funk, to blues, to reggae, to punk. It's also a sound that MUST be heard. Four totally diverse songs come together to make this tape a must for anyone who enjoys a little adventure in their music. Interesting lyrics, too. Check it out.
The now defunct DEAD KENNEDYS have had a string of popular tunes throughout the years. But this isn't a greatest hits LP - it's a compilation of b-sides, unreleased tunes, and two or three well known ones (all adding up to 17 tracks - 15 on the album and two more on the flexi). I love it, but then again, I'M a diehard DK's fan. Great stuff, but I'M not sure I'd recommend it to someone who isn't into them. Also comes with a nifty magazine, with a page for each track, telling about the track and where it first appeared. (Alternative Tentacles)
I'm a big fan of newer NY hardcore, so this EP, to me, is fantastic! Seven bands get to strut their stuff (one song each), compiled by Ray of Today (of YOUTH OF TODAY). All the bands are good - no complaints about any of their music or lyrics. But some REALLY stand out. BOLD Is a band that has really matured since their CRIPPLED YOUTH days (especially lyrically), giving the best tune on the EP with "Talk Is Cheap”. SIDE BY SIDE comes off sounding great, too -- talented musicians with a message, as heard on their track, "V.T.F.” YOUTH OF TODAY, as usual, sounds fantastic with their live recording of "Together”. Other bands who appear are WARZONE, SICK OF IT ALL, SUPERTOUCH, and GORILLA BISCUITS.
[Originally published: Issue #4, circa 1987]
PAGAN BABIES are a definite favorite of the Philly scene (see show review - Ed.), delighting them with their all out energetic, excellent live performances. But I have never heard them sound as good as they do on this EP. Their MUSIC, which varies from the melodic "Dreams" to the slow, eerie "Clearing the Blur", shows how diverse their sounds can be. For what the lyrics lack their singer makes us for 100 times over, with his mixture of singing and emitting high-pitched yells. This whole EP shows what punk rock should be - raw, energetic, and dedicated. Get it! (Plus Records)
[Originally published: Issue #4, circa 1987]
Remember way back in issue number one huring the review of DOGGY STYLE'S "Last Laugh” LP, I commented what a waste it was that two fine musicians like Brian Baker and Doug Carrion were playing in a band like that? Well, my wishes came true - both are now in DAG NASTY (the drummer and Brian are the only original members). The "Last Laugh” is a laugh compared to DAG NASTY'S new LP. It's absolutely incredible. It may not be too popular with DAG NASTY fans (although I’m an avid one!), as for the most part, it's not as thrashy. No power has been lost here -- he intensity remains, and the same vein of lyrics, although not as vague as on the "Can I Say* LP, is evident. It's an ambitious effort, as they delve into a slower, more musically oriented sound. The old sound can be found too, as heard in songs like “Simple Minds,” "Safe,” and “Dag Nasty". The LP, as a whole, requires many listenings for one to really get into it. While doing it, try to forget their first LP. It's a different band, who has put out the best LP so far in 1987. (Dischord)
[Originally published: Issue #3, circa 1987]
SUBURBAN UPRISE is a fairly new band from Suburban Philadelphia. They've just starting to play out. They're sort of controversial, too. An unabashed skinhead band, Maximum Rock N Roll's Tim Yonannan refused to run an interview with them because they're skins, though their drummer has assured me that they're neither racists nor Nazis. Martin Sprouse later wrote to S.U. informing them that they would run the interview.
SUBURBAN UPRISE Live Demo II : This is a live tape done at Trenton, New Jersey's City Gardens earlier this month, during what I'd assume was S.U.'s first real big gig. For a demo, the sound quality is great, and for a live set, it's as tight as they come. They sound very original - not wnat you'd exceet froa a skinhead band in that the music is very melodious and the vccals are either sung or spoken, not growled or yelled. Although I don't agree with some of their ideas (in one song, "Land Of The Free", they suggest that those who don't want to fight for tne U.S. should get out), that does not influence my opinion of these guys. They're HOT! They rock! They mosh! Very good tunes like "No More Favors* and "Skinhead March". They will make a name, and soon, I predict. Only $1.50.
[Originally published: Issue #3, circa 1987]
DEVASTATION is a Chicago area death/thrash metal band that was formed in January of 1986 by drummer Pat Buckley and guitarist Erv Brautigam. The line-up is completed by Frank Ciamoi on bass, and new singer Bill. The deno was recorded with former vocalist Duane Rasmussen, who left to get married. The band is mainly influenced by AT WAR, SLAYER, MISFITS, and SAMHAIN, but Frank is into S.N.O.T., OUT OF ORDER, and GENERATION WASTE.
DEVASTATION "A Creation Of Ripping Death": Good, nightmarish thrash from this talented Chicago outfit. Eerie yet interesting tracks like "Cranial Hemorrage". "Nuclear Winter" amd two others. Recommended for death metallists only.
[Originally published: Issue #3, circa 1987]
CASBAH "Infinite Pain": This four track tape is truly excellent death metal from the land of the rising son. CASBAH is tight and heavy and the lyrics, in English, are of a better quality than your average "rotting corpse" fare. Despite the song titles ("Chain Song", "No More Slaughter", "Low Intensity Warfare", and the title track), the lyrics are not satanic. They're mostly ambiguous (at least to me!), but I can see some definite political statements. This is something quite original in death-aetal. This is absolutely superb thrash. The tape is well produced and lyrics are included. This one is hard to pass up.
[Originally published: Issue #3, circa 1987]
VISUAL DIFFERENCE is a hardcore band from Mesa, Arizona. They've been together for about a year. The current line-up is Dave Payne on guitar, Steve Baily on drums, Eric Oxbolow on bass, and Steve Difference on vocals. The name arises from how we all look different on the outside, yet we're all the same on the inside. Their songs deal with everyday problems and how to deal with this in a positive way. They stand strong in what they believe in. They had a demo out entitled "Live For Life", which is now out of print, but they plan another demo soon.
"Labels" by VISUAL DIFFERENCE
You label people but you don't knew how they are
Yeu don't look inside or very far
Who are you to accuse
Putting labels on whoever you choose
CHORUS:
Lick those labels / Put them on
Lick those labels / Stick them on
Lick those labels / Put them on
Friends go by your accusations
Not seeing for themselves
They only see the skin
Not looking deep within
[Originally published: Issue #3, circa 1987]
HOLY TERROR is a thrash/ power metal band from California. The line-up consists of Kurt Kilfelt on guitars, Keith Deen on vocals, Mike Alvord on guitar and vocals, Floyd Flanary on bass, and Joe Mitchell, who replaced Jack Schwartz, on druas. Their debut album, "Terror and Submission", will be released soon on Music For Nations. No American record deal has been signed yet, so check out the import bin at your local record store.
HOLY TERROR "Terror and Submission" advance tape: This is a fine metal band that alternates between thrash tunes like EXODUS, and power metal tunes in the style of PRIEST and MAIDEN. The vocals are pretty good - no "grunting demons" here. Some tracks, like "Mortal Fear", have a riff that stays on your brain for a long time. Definitely worth checking out, if you'e into it. The high quality, long (9 tracks) tape costs only $4. Additional merchandise includes bumper stickers ($.50), pictures ($1), and tour shirts ($8).
[Originally published: Issue #3, circa 1987]
UNITED is a Japanese thrasn metal band that formed in 1981. The new line-up is Yoshiyuki Furui on vocals, Masaki
Hara on guitar, Iwao Furusawa on guitar, Akihiro Yokoyasa on bass, and Tetsuo Takizawa on drusss. They appeared on a Japanese compilation album, and have just released their second demo/EP.
UNITED "Beast Dominate": Four pretty cool tunes in the ANTHRAX - S.O.D. vein. "S.R.S." and "Do You Wanna Die?" are mid-paced tunes, while "Holy Dive Screamer" and "Combat" are more powerful and a little catchier. An added attraction are the clear-English vocals. The 7" EP is $8 + $3 postage, while the tape of the EP is $4 + $3 postage.
[Originally published: Issue #3, circa 1987]
LAST OPTION was formed in February, 1985. They want to work to achieve not only a better scene, but a better world. They do this by attending protests (underground nuclear testing, No Business As Usual, etc.) and educating themselves and others. They would like to meet and correspond with others who share their beliefs (Anarcho-pacifism).
LAST OPTION demo #2: Crunching hardcore with sincere lyrics from this highly talented Arizona outfit. This is straight-forward HC with great vocals and some of the most powerful riffs that will ever jolt your cranium. A glimpse of great things to come.
[Originally published: Issue #3, circa 1987]
TERRORIZER is a 4-piece band from Southern California featuring Oscar on guitar and vocals, Jesse on guitar, Pete on drums, and Garvey on bass. They formed in early 1986 and are influenced by bands like early DISCHARGE and SUICIDAL TENDENCIES. Their lyrics deal with a large variety of subjects, from life and death to the effects of nuclear power to world issues today. However, they definitely have nothing to do with any type of religion whatsoever.
TERRORIZER rehersal/deao '87: Ultra heavy thrash that sounds like SLAYER gone hardcore. Much better than your normal thrash band, providing the death metal-style vocals and playing, while covering various lyrical topics.
[Originally published: Issue #3, circa 1987]
CORRUPTION is a hardcore band from Ocean County, with "Kid Wedge" on vocals, Billy Fiske on guitar, Brad Jackman on bass, and Steve Shears on drums.
CORRUPTION "Infest Of Rage": Excellent hardcore that should appeal to crossover fans as well. Lyrics deal with serious as well as humorous topics. Eight great tracks featuring unbridled speed and power and superb vocals. An all-around cool band. Lyrics and flyers included.
[Originally published: Issue #3, circa 1987]
This is a band that has gained a lot of respect and critical acclaim from their demos and select live performances in the New York area. PRONG does what they do best on this seven track effort: a comfortable but not patronizing blend of hardcore, metal and industrial sounds. (Yes, industrial. That doesn't aean they use power drills and buzzsaws, it just provides the guitar with a unique sound). This whole album gleams with originality and is very refreshing. Oh yeah, a cool cover by the art god Sean Taggart. Available on Mr. Bear Records.
[Originally published: Issue #3, circa 1987]
This album left me satisfied and disappointed at the same time. Satisfied, when they crank out such gems as "Set Me Free", "Best Friends", and the title track. But disappointed, when they deliver far below what they're capable of. I mean, they're talented musicians, and Scotty Wilkins' vocals are great, but a few tracks are just lackluster. I still like this band, but I hope their next LP will allow them to reach their potential.
[Originally published: Issue #3, circa 1987]
Four tracks of powerful hardcore which combine a heavy sound, throaty vocals, and very strange lyrics to make a good yet eerie record. Kind of noisy, but done in a way that adds rather than detracts from the overall sound. Good job
[Originally published: Issue #3, circa 1987]
Wow! This 7" shows excellent hardcore which draws in influences from countless other forms of music. All five tracks are richly diverse and very, very enjoyable. While "Everybody Fight" and "Godmen Of The Future" opt for uncompromising hardcore, "Sing Thru Me" and "Grandma (I'm A Drug Fiend)" display more melodious sounds and great vocals. The title track is really good, with its thrash-thrash-thrash format and hilarious lyrics. Hats off to great MUSIC and originality! (Subcore Records)
[Originally published: Issue #3, circa 1987]
I really liked this band's first LP for its power and the fact that there were often several rhythms in each song. Now, with their second LP, they keep all of the positive qualities of "Convicted" while showing a certain progression; that is, it's not the same old stuff rehashed. They have even added a brief guitar solo to two or three tracks which are done in a skillful way as to keep it from becoming boring. Lyrics deal with politics, world/national affairs, and personal politics. A very good album.
[Originally published: Issue #3, circa 1987]
A really cool comp featuring 14 bands performing 33 songs. The sound quality varies, but most of the time it's above average. There are a lot of good bands here, especially TRANSGRESSOR and LOSS FOR WORDS. Some of the other bands are GENERATION WASTE, BLOODCUM, arid NECROPOLIS. A thoroughly enjoyable tape which promises a bright future for many of these young bands. Also a good sampler of new thrash-core bands.
[Originally published: Issue #3, circa 1987]
No, no - they're still defunct. This is a posthumous release, possibly to satisfy fans, for one release wasn't snougn to quench their desire for more from this once great D.C. band. But, this is definitely net a swan song. It's comparable to MINOR THREAT'S "Salad Says: EP, but only the fact that Dischord released both after the bands broke up. MINOR THREAT's EP had them go out with one last bang - their best release. But unfortunately, RITES OF SPRING didn't follow this example. The sound, I feel, is similar to their Dischord LP, but the power is lessened - more subdued. This may appeal to some people - not to me. Their non-melodious sound interests me, but doesn't keep me amused. The lyrics seem to be just a little too poetic for my taste. I'n not going to play games. I really feel my musical tastes are mature, but maybe not mature enough. (Dischord Records)
[Originally published: Issue #3, circa 1987]
Hot dog! One of my (and many other's) ail-time faorites. This LP is fabulous! An absolute must for anyone who's ever liked G.I. Among the studio-quality classics recorded live mainly on the East coast between 1982 and 1985 are "Hall Of Fame" (my personal favorite), "Fun and Games", "Hour Of One", and "Understand*. It also includes two interviews. Put simply, GET IT! You really won't be sorry. (Mystic Records)
[Originally published: Issue #3, circa 1987]
The past year has been very good for Philly bands - yet another strong(!) debut LP for a long time Philly favorite. HOMO PICNIC have also been rocking the scene with their distinct sound for quite a while, and hopefully it will be appreciated by otner scenes once tney hear this LP. It's great - no less. They describe themselves as rich kids playing heavy metal, but their sound is far from metal. It's also far from hardcore. It's not crossover, either. I'd say this trio takes influences froa many different types of music, coming together to form an almost indescribable blend - powerfui, melodious, complicated stuff. The vocals don't really fit in with the lyrics and music. But this is a small consideration, as the MUSIC totally overshadows the vocals anyway. Send the lyric sheet too - great, personal stuff in the same vein as EMBRACE and DAG NASTY. I recommend this LP thoroughly. (Plus Records)
[Originally published: Issue #3, circa 1987]
I seriously believe Philadelphia will soon be recognized as THE national hotbed of underground susic, and SCRAM is definitely on of the leaders in this group of fine, talented musicians. SCRAM's only other vinyl outings were on compilations, I believe. They had one track on the immenseiy popular 4-song Philly compilation "That Was Then, This Is Now", and one on the more recent Positive Force compilation, "Another Shot for Bracken." And now, finally, they have an LP out! The Philly scenesters well know, SCRAM has been a definite mainstay in our scene for a few years new, delighting fans with their very desirable sounding blend of reggae, Ska, and hardcore. This well-produced disc shows off their considerable talent, bringing thea to the recognition of the rest of the U.S. Tracks which stand out are their immensely popular anthem ''Stand Up", an excellent cover of Join Lennon's "Imagine" (better than the original?), and the love song "Something To Cling To." Powerful stuff throughout! Well worth the wait. (BYO Records)
[Originally published: Issue #6, circa 1989]
From two former members of the punk band PARIAH comes PARADE. I don’t really know how to describe PARADE’s sound: maybe post-punk power pop is most accurate. Very mellow and accessible. The vocals of Ray Lujan are smooth and refined, sometimes reminding me of Geddy Lee (RUSH), though not as high, and they blend nicely with the equally smooth music. The first time I listed to it I wasn’t really crazy about it, but it held my interest enough to listen again. With the second and all following listens, it really appealed to me. Moody and pensive – the lyrics deal primarily with personal topics. Since I don’t limit myself to just one type of music, this album is a welcome change from the same old stuff. A fine LP.
[Originally published: Issue #6, circa 1989]
It’s been a long, long time since I’ve heard anything interesting from these guys, and I guess the wait will have to continue. This EP has 6 covers, including KILLING JOKE’s “The Wait” and the MISFITS’ “Last Caress” and “Green Hell.” Mildly entertaining (especially the above 2 tracks), but very monotonous at times. This is for METALLICA devotees only – I’ll wait for something better.
[Originally published: Issue #6, circa 1989]
What do you do when you love a band’s music but you are disgusted by what they stand for? Just tell the truth, I guess. Incredible oi! Music, but pathetic, racist lyrics. (I’m told no lyric sheet is included, but you know what’s up.) A real shame. Their racist views make his highly UNrecommended. (NOTE: Fortunately, I did not buy this one, someone gave me a tape of it, so come up with something else to bug me about.)
[Originally published: Issue #6, circa 1989]
This is thrash/power metal for those who hate it. You see it is metal (gosh, aren’t labels convenient?!?), but not of the stereotypical variety. Some very good vocals sung by the rough-voiced frontman – no falsetto screams or sick growls here. Also, there are very few guitar solos. (Solos are quite boring unless done extraordinarily well.) Good thrash, good slow parts – no “chuga-chuga” riffing. Nine tracks, one of them in Italian. Not the greatest thing I’ve ever heard, but a thumbs up for originality.
[Originally published: Issue #6, circa 1989]
6 tunes apiece from 2 speedcore bands. Both do it well, but I was never a big fan of very, very thrash (except when done ala AOD). Vomity (is that a word?) vocals on both sides If speed is more important than melody, you’ll like this (sort of like getting hit by a truck going 1000 mph). For me, though I’ve said it a million times, the slower parts are cool but the rest is a blur. Blender-core.
[Originally published: Issue #6, circa 1989]
When these guys played with BGK at the Kennel Club (in the good ol’ days), I thought they were spectacular. That’s why this album is such a big disappointment. Some crushing hardcore with psychotic undertones. Strange. Noisy. Assrrrggghhh!!! The singer (I can’t remember his name, only his knife scars) has adopted a total “vomit” approach to his vocals, and this makes the songs harder to endure. The album may hold interest for some people, but only if they can get out of their straight-jackets long enough to put it on the turntable. Seriously, this album is brain-torturing.
[Originally published: Issue #6, circa 1989]
Incredible band, incredible album! RKL (Rich Kids on LSD) play a unique blend of hardcore and old-time rock and roll. The result: some of the most rhythmic, foot-stompin’, make-ya-wanna-smile hardcore you’ll ever hear. I also really like the vocals, as they add to the overall sound. Previous to this masterpiece, they released a great 7” (“Beautiful Feeling!”) and they recently released their second LP, which I am eager to hear. If you are looking for hardcore with a new flavor, drop some RKL and then just keep laughing.
[Originally published: Issue #6, circa 1989]
Musically, this album is more like “Victim in Pain” than “Cause for Alarm,” which is a good thing. But something has been lost along the way. Roger Miret’s vocal style has changed – it’s a little rougher and he growls the words all too often. It’s not bad, but he was much better when he just sang/shouted. Look, this is an alright album, but it pales in comparison to the other two. It’s just not as good, but I can’t figure out why.
[Originally published: Issue #6, circa 1989]
After 2 tremendous, well-received demos, this Arizona HC band finally released their debut vinyl. If you’ve heard them before, then you know all about their blistering hardcore and aware, relevant lyrics. If you haven’t heard them, then you’re missing some great, thought-filled music. 8 tracks, all cool. This EP is great!
[Originally published: Issue #6, circa 1989]
THE CORRUPTED ONES is a positive hardcore band from New Jersey with Eric Johnson on drums, Dwayne Beatty on guitar, Doug Bucci on vocals, and Dave Pfeffer on bass. They released a previous demo and have played shows and parties in the tri-state area.
T.C.O. “Tewha”: I first saw these guys when they opened up for UNDERDOG and I was very impressed. Now comes this – the best demo I’ve (Tony) ever heard. The only comparison I could make is to old 7 SECONDS, but more melodic and with more powerful vocals. The backing vocals are tremendous and the sing-along choruses are a blast. These are four fine individual musicians who blend together perfectly – they are extremely tight. Most of the songs deal with personal or positive topics. (They have some straight-edge themes but they seem to avoid preaching.) The production is nice and clean but not too slick – the power is still there. Thirty minutes (15 tracks) of some of the finest music you’ll ever hear. Look for an interview soon!
[Originally published: Issue #6, circa 1989]
SANTA CLAUS are a San Diego-based hardcore thrash band consisting of Robert Brown (bass, backing/lead vocals), Paul Massaro (drums, lead/backing vocals), and Mike Lucero (guitar). “Musically, we mix elements of hardcore punk, thrash metal, and other styles to obtain a unique and creative sound. Lyrically, we cover a wide range of topics which reflect personal issues in a serious/sarcastic manner.”
SANTA CLAUS Live demo 10/87: This wacky trio plays some hyper-hardcore with a moderate metal influence (though much, much less metal flavor than their first demo, “Here Comes Santa Claus”). As with all music that is this fast, it sometimes gets a little out of sync on the speedy parts, but all in all, they are rather tight, especially considering that this is a live tape. Some of their lyrics would make GG ALLIN or INTENSE MUTILATION proud. Some of the songs are a bit too fast to be enjoyable, but most of them are a lot of fun, especially “V.D.” and “Contraception.” It should be very interesting to hear their new material done in the studio.
[Originally published: Issue #6, circa 1989]
DECEASED is a death metal band from Virginia with King Fowley on drums and vocals, Mark Adams on guitar, Doug Souther on guitar, and Rob Sterzel on bass.
DECEASED “The Evil Side of Religion”: Now with a name like DECEASED you probably wouldn’t expect a reggae band with a slight pop edge. Don’t! DECEASED are a totally noisy death metal band who scream with sick voices or don’t scream at all. It sounds like everybody in the band tries their hand (claw) at singing (puking) for a few songs. Basically, this group isn’t bad, but the production is piss poor and it definitely hurts whatever they’re trying to accomplish. No lyrics are included but stories about chomping on human flesh sound like feasible topics. Since this demo is free (send a little money!), you might want to check it out if you’re a NAPALM DEATH fan. (Though not reflected in their music, this band has a good attitude, in that they offer free demos and King also puts out a fanzine,
[Originally Published: Issue #6, circa 1989]
DEAD JACKSONS “Greatest Hits”: Fantastic! These guys really tickle my fancy, kicking out some fun, silly, thrashy punk tunes. Recorded very well (album quality), they display on this tape an impressive amount of talent. Although they seem to take themselves and their music lightly sometimes, it’s very obvious that a lot of thought and musicianship went into this tape. It starts off very strong with the best song, “Driving In Place,” and ends almost as strong with “You Laugh I Cry.” In between, they go with a very original sound and dare to go where punk bands have never gone before – including an amazing cover of Michael Jackson’s “Billie Jean” (hilarious!). A great effort! Get it before it’s no longer available!
[Originally Published: Issue #6, circa 1989]
BHOPAL STIFFS is Larry on guitar and vocals, Vince on lead guitar and vocals, Steve on bass, and Dave on drums.
BHOPAL STIFFS ’87 demo: OK, I admit it. This is the second review that I wrote for this demo. The first one wasn’t too favorable towards it, but since then I’ve listened to it a few more times and I’ve grown to really like it. They have a dark, sometimes murky, melodious sound which is very entertaining, and combined with their diversified sound, it makes this tape very worthwhile. (It’s also a lot better than their recent EP.) Stand out tracks include “One Track Ahead” and “I Came For You.”
[Originally Published: Issue #6, circa 1989]
“BLATANT YOBS existed about three years ago, but we had lots of difficulties with new members, equipment, practice rooms, etc. When Rich came in the band as the singer, things began to go very well. We started to play very well, and in about 3 months, we built the repertoire on the tape. The seven gigs we played (with LARM and HERESY) went very well, and people came to us screaming for demos! And now, we’re quite popular here in the South of Holland.”
BLATANT YOBS “Bitching and Slamming”: Great hardcore from this Dutch skate band. Straight-forward thrash is the bill of fare here. Although at times they lack a little in the variety department, a large degree of energy and raw talent is evident. With time, the rough edges should be smoothed off, and these guys will be another great Dutch band. A dedicated bunch that deserves your support.
[Originally Published: Issue #6, circa 1989]
RC is a speedcore band from Chambersburg, Pennsylvania, with The Madman on guitars, Tumor on bass, and XXX on drums (they all share vocal chores).
RC “Intestine Casserole With Cheese”: Ultra-fast and heavy hardcore with vocals that make Satan sound like the BeeGees. For what they do they do it well -- I guess this is along the lines of NAPALM DEALTH or HERESY blurr-core. The show parts are very intense – so intense that I found myself tolerating the blender parts just to get to them. They do one song called “Nuclear Warhead” which is very good. A lyric sheet is desperately needed, though not included. The chrome cassette contains 14 tracks – excellent production. I can’t recommend this to most, but there are people who will love it. (Note: It gets a little better after repeated listening.)
[Originally Published: Issue #6, circa 1989]
BROADAX is a speed/thrash metal unit from Culver City, California, and consists of Rey on vocals, Joe on guitar, George on bass, and Louis on drums.
BROADAX ’87 demo: Very good fast to mid-tempo metal music, but one major flaw: the vocals sound like someone trying to sound “sick” or someone with a speech impediment (no offense intended). Too bad, ‘cause these guys play their respective instruments with precision and flavor. To get an idea of what they sound like, think of Arnold Schwarzenegger singing for METALLICA
[Originally Published: Issue #6, circa 1989]
DEFAULT is a band from Nottingham, England, with Loyd on vocals, Tom on bass, Col on guitars, and Scott on drums.
DEFAULT “Faith of Fraud”: This is a very good demo. First off, the singer is great – the sing-along choruses are some of the best that I’ve heard. Then, the music absolutely blows me away. Pure melodious hardcore which seems very refined. After your first listen, you’ll be singing their songs for hours after. I guarantee it! Watch for their EP soon. I hope that it will be half as hot as this demo!
[Originally Published: Issue #6, circa 1989]
TRIP SIX is a hardcore band based in New York City. The members are Tommy Rat (ex-WARZONE, ex-PSYCHOSIS) on vocals, Stu (ex-PSYCHOS) on guitar, Zippy (current member of ULTRA VIOLENCE) on bass, and Josh (from SHOK) on drums. (The drummer on the tape is ex-WARZONE Charlie Rage, who is now in ULTRA VIOLENCE.) They say: “Our personal beliefs are to live the way you choose to live. It doesn’t matter whether you’re a punk, or a skinhead, or straight-edge or not. All we wanna do is play our music. Life’s an ongoing trip, it can be 6 times better or 6 times worse.”
TRIP SIX “Back With a Vengeance”: These guys play some rather original grungy, old-style NY HC/punk. (As you can see, it’s hard to label.) The first time you listen to it, some of the timing may be off, but that’s just because it’s not what you expect. But as you become more familiar with their songs, they really hit home with some good music. The muddy production on this tape hurts, but you might want to check this out if you’re sick and tired of “moshing it up.”
[Originally Published: Issue #6, circa 1989]
NAPALM is a speedmetal band from New York. Their new line-up is Chris “The Monarch” Weidner on bass and vocals, Robert J. Proimos on drums, Jeff Lombardi on lead guitar and Chris Liggio on guitar.
NAPALM “All Out Assault”: Three very interesting tunes from this talented quartet. The first one, “Shake it Off,” has some intensely fun riffing a la METALLICA. The second tune is prime-time SLAYER. The third song, “Immoral Society,” shows a strong hardcore influence. All three styles are executed nicely. NAPALM has variety. They do not copy the bands mentioned above, but draw in influences from them and incorporate it with their own style. All of this, combined with great production, make this a notch above.
[Originally Published: Issue #6, circa 1989]
ISOCRACY is a hardcore band from the San Francisco suburb called El Sobrante. ISOCRACY is the concept of a government of equals. ISOCRACY is Al Sobrante on drums, Lenny on guitar, Martin on Bass, and Jason on vocals.
ISOCRACY “Welcome to El Sob”: You can’t beat the price of this one – 60 minutes of music for $2. Total zaniness come from these four folks. Their style is an all-out thrash. So, they’re not the most talented band – but they make definitive creative use of what they know. Most of the songs average about a minute long, so there’s not too much room for variety. But somehow, their originality makes up for their lack of variety. My one major is about their lyrics. What I mean is that some songs talk about racism, some about politics, and some about love and other personal feelings. I don’t have anything against a band covering many topics, but ISOCRACY just barely scratches the surface of the topics they cover! A small complaint, admittedly, because all-in-all, this is a fine job. Look for a future interview.
[Originally Published: Issue #6, circa 1989]
ALPTRAUM GMBH (“Nightmare, Inc.”) was formed in Feb. 1986 with female guitarist Rosi (18) and drummer Martin (22). In March of ’87 they found a new singer, Roman (22). Some months later, they found Drakey (17), a wonderful female singer who shares vocal duties with Roman. They say “our lyrics are as different as the music. We handle anarchy, Reagan, progress, the church, Brother Alcohol, fun, cars, sex, and so on! Fight back but don’t forget the fun!”
ALPTRAUM GMBH “When You Like To Know When…”: Some may consider this band’s sound to be weird (it is to a certain extent0, but this shouldn’t be confused with originality. They are very original, somehow managing to successfully mix many different types of music (including opera, as the first tune starts off with). Although the music may drone at times, the use of both a male and female singer keeps the listener interested, and more importantly, entertained. I can’t comment on the lyrics because they’re in German. But if you like a little adventure in your music, then this tape is for you.
[Originally Published: Issue #1, circa 1986]
7 SECONDS – “Praise” EP
As Kevin Seconds moves his band to a more mainstream style, his songwriting talents and lyrical style mature greatly. Heavily influenced by U2, many would consider this a sell-out. But I feel it is a natural progression for a band like 7 SECONDS. It has a definite post-punk feeling which comes across successfully. A definite improvement over “New Wind”, in which all the songs seem to be detached from each other. But I’m warning you: “The Crew” has grown up. (POSITIVE FORCE)
This disc is a real rocker! KINGFACE combines the best elements of hardcore, punk, rock ‘n roll, and blues (one track has a harmonica!) to form one of the most original songs I’ve heard in a while. It’s hard to get bored of, and I find myself listening to many of its six tracks over and over. If I ever get tired of hardcore, this is one album I’ll always keep. Passionate lyrics backed by perfectly melodious music make this my pick of the month. Although they’re a lesser known D.C. band now, I hope this album will give them the attention they deserve. Look for an interview with KINGFACE in a future issue. (Kingface Records)
LEGITIMATE REASON was, in my opinion, the best Philly band. They seem to have an originality that new young bands almost always lack, and the potential to grow and become one of the best bands in the whole scene. Unfortunately, they have broken up, but they managed to release this EP, which is no less than fantastic. Their music is very original and full of variety (again, a trait that most new bands’ music is missing) and the lyrics are very strong and emotional (but not sappy). They appear to be very tight, and their sing-along type of melodious songs seem to be produced perfectly. Buy this and you’ll be glad you did. I promise. (Plus Records)
I wish that I had heard this album before VERBAL ASSAULT’s last outing, “Learn,” done a few years ago. I would have liked this more. Compared to their first disc, it’s better produced and packaged, but the raw energy that made them one of my favorite bands seems to have been lost. By itself, though, it’s a strong effort. Excellent, powerful guitar work and adventurous tumes (including one with a piano) make “Trial” worth buying. Christopher Jones’ singing has, fortunately, taken on its own originality – he’s no longer a Kevin Seconds sound-alike. A good record that unfortunately doesn’t come close to matching their first vinyl outing. (Giant)
The CIRCLE JERKS amaze me. They’re one of the only bands that I know of whose sound hasn’t “progressed” (i.e. sold out, whimped out, or crossed over to a more metallic flavor), despite being on one of the bugger independent labels (and this is their second release on such a label!), they seem to want to only please themselves – not the popular audience. Great straight-forward punk tunes, very similar to the ones on their “Wonderful” LP. The CIRCLE JERKS have put out another excellent effort, well worth the two-year wait. (Relativity)